In the scene that Nathaniel Ayers and Steve Lopez attend a rehearsal concert, all the seats are covered with canvas. This was not cinematic imagery; this is actually done in some concert halls during rehearsals to reflect a more accurate sound as if the seats were being occupied.
-----IMDB
As a mentally ill man, Ayers is unpredictable and explosive, yes, but almost as if responding to the arc of the screenplay. Characters have arcs in most movies, but the trick is to convince us we're watching them really behave. Here Foxx is let down, and the disappointment is greater because of the track records of director Joe Wright ("Atonement") and writer Susannah Grant ("Erin Brockovich"). We see a connection between the two men, but not communication.
作为一个精神病人，Ayers这个角色是无法预知的，充满爆发力的。但是这似乎只是再重现剧本的要求(reponding to the arc of the screenplay)
简单说两句：
1、其实他从未想要得到主流价值观的认同，从未想被瞩目。他听到的杂音的恐惧也可证明。要知道，有一种天才是孤独的，像纳什。他要的仅是满足自己，这也是他对于艺术对于音乐的忠诚。
2、就连记者本人也是，接近、善待纳撒尼尔也是出于满足自己心理的某处空缺。他专栏描写纳撒尼尔的自话自说，如同一个絮絮叨叨给自己讲故事的老大爷一般。他不也是Soloist?
《独奏者》跌宕的剧情片 天妒英才----犀利哥或许也有过人之处
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